Buddhist monuments discovered in India and Indonesia consist of reliefs and paintings representing narratives

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Many Buddhist monuments discovered in India and Indonesia consist of reliefs and paintings representing narratives. The gates, or toranas, of the “Great Stupa” found at Sanchi in India are an example of reliefs representing these narratives. These reliefs were erected during the Andhra period (rd century B.C.E. � early 1st century B.C.E.). The “Great Stupa” was a reliquary, which is said to contain the remains of Buddha’s disciples.


The “Great Stupa” at Sanchi is surrounded by four toranas, each facing a different cardinal direction (i.e. north, south, east, and west). The architecture of these four gates is almost identical. Each consists of two columns or posts which are conjoined with three cross beams known as architraves or lintels. Triratnas (symbol of Buddha, his Law, and the Monastic Order) are placed above the highest architrave on top of the two columns. The supports for the triratnas are wheels which represent “dharma” or Buddhist law. Below the architraves on each of the main columns, four elephants are carved with riders, traveling counterclockwise. Each torana have a number of different reliefs engulfing the entire structure.


Each of the toranas at Sanchi depicts jatakas, stories of the past lives of Sakyamuni, on the three architraves. These stories are confined on the architraves between the two main columns of the toranas. The jatakas on the North Gate narrate the “Temptation by Mara”, the “Vessantra Jataka” and the “Return to Kapilavastu”. The “Temptation by Mara” is about Sakyamuni being attack by demon armies sent by Mara when he was meditating. The army was unsuccessful in stopping Sakyamuni. The “Vessantra Jataka” is a story about the last human rebirth before the Buddha is reborn as Siddhartha. The East Gate contains a relief of the famous “Monkey Jataka” This jataka was about the Sakyamuni as a king of the monkeys protecting the other monkeys by shielding them from arrows with his body. Also on the East Gate, the jataka of “The Great Departure” is located on the middle architrave. The jatakas are important for understanding Buddhism because they show that it takes many cycles of reincarnation to reach enlightenment.


The East Gate also has reliefs depicting shalabhanjika. The relief is a simulated architectural bracket; it does not support anything. This relief is an indigenous goddess of the area. The goddess is a yakshi (female earth deity) and is also a fertility goddess. The depiction of yakshas and yakshis are most likely placed on the toranas to relate to the indigenous people of this time whom did not yet understand the teachings of Buddhism.


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The toranas had images of Buddha but he is not represented in figural form. The Buddha is represented on the toranas in aniconic representations. The Buddha is represented symbolically as a wheel, footprints, a throne, and other types of symbols. On the North Gate, one architrave shows seven Buddhas of the past. On this carving the Buddhas are represented aniconically as trees and stupas.


The narratives are shown on the architraves of the toranas displayed many different jatakas on all four entrances of the “Great Stupa”. The figure of the yakshi shows how the creators of the toranas appealed to the indigenous people of that area. The reliefs existing on the toranas at the “Great Stupa” of Sanchi are excellent examples of reliefs representing narratives.





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MAS & SARS

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Concerns over SARS is easing, and people are travelling again. In a newspaper report today, MAS Senior Manager for Sales & Marketing said that ¡§the worst is over¡¨, and travellers are returning to MAS.


„h International passenger load factor has recovered to 60%. The average for April was 55%, with a low point of 40%. Pre-SARS load factors were 70%-75%.


„h Load factors to European destinations and Australia have recovered to 70%, although load factors to SARS affected region still remains weak (no details on load factors were given).


„h Domestic passenger load factor has also recovered. The school holiday period is expected to boost domestic load factors to 70%. The reported added that the load factor on flights between Peninsular Malaysia and the east Malaysian states of Sabah and Sarawak has risen from 50% to 60%.


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With the restructuring of MAS, the domestic operations is no longer a part of the airlines P&L. Nonetheless it is an important gauge of the public¡¦s appetite for air travel. Confidence is returning, aided by the removal of Hong Kong and Guangdong from the WHO travel advisory list. In addition there has been no new SARS cases reported in Malaysia ¡V 10 more days of this, Malaysia can be declared SARS-free.


We are currently expecting MAS to make a net loss of RM07m (EPS of ¡V4.5sren) in FY04, on the back of an average load factor of 58%. MAS needs an estimated load factor of 6% to break even. Based on the positive news on MAS¡¦ load factors and assuming no new outbreaks of SARS, there is a strong possibility of MAS being profitable in FY04.


We will be re-looking at our forecast, with a view to upgrade our numbers. More is to follow after a meeting our lunch meeting with the company tomorrow. MAS remains an OUTPERFORM.





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What is compatibilism about free will? Which is the most plausible version of it and why? Is any version completely satisfactory?

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Today, I have finally decided to sit down and write my philosophy essay. I wonder how free I am to make this decision. Fatalism would suggest that I might as well go outside and enjoy the day, as no matter what I do now, my fate is decided and a particular future is inevitable. This theory is highly questionable, as it appears that our behaviour in the present undeniably has an effect on the future. Determinism accepts this notion, but suggests that my decision to write this essay now is inevitable due to numerous factors that are beyond my control, and so I am not exercising free will in my action of essay writing (Sober, 001). However, I believe there is an intuitive sense of freedom in our everyday decision-making that cannot be denied. This essay will distinguish causality from determinism and then evaluate theories of compatibilism, suggesting that causality does not deny the possibility of free will.


There are two arguments explaining determinism. Firstly, there is the Distant Causation Argument that claims our behaviour is caused by factors � genes, childhood, experience, environment and context � that are beyond our control and hence, we are not responsible for our behaviour (Sober, 001). However, while such factors do influence and cause our beliefs and desires and our beliefs and desires constitute our moral character, it is still us, the agent, that deliberates, decides and acts. Secondly, there is the Could-Not-Have-Done-Otherwise Argument. This implies that rational deliberation is deterministic (Sober, 001). However, I would like to suggest that internal deliberation, although undeniably influenced by causal factors, it is also an expression of free will.


The theory of compatibilism, in relation to free will, suggests that it is possible to act freely without denying the concept of causality (Sober, 001). Causality is not synonymous with determinism. For example, studying Philosophy 1011 does not determine my understanding of metaphysics, however, if I do gain a basic understanding of metaphysics by the end of the semester, it would trace back to my decision to study Philosophy 1011. My understanding was caused but not determined. There are three main compatibilist theories, Hume’s theory, second-order desire theory and the weather vane theory.


Firstly, David Hume suggests that we are free if we act the way in which we want to and could have chosen to act differently. That is, free actions are those that are causally controlled by our beliefs and desires (Sober, 001) For example, I have freely chosen to write this essay now because I could have chosen to ignore it and fail philosophy. According to Hume’s theory, this would not be a free action if someone tied me to the computer chair and pressed my fingers onto the appropriate keys until the essay was completed, because, regardless of whether or not I wanted to write the essay, I could have nothing else.


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There are, however, flaws in Hume’s theory. Firstly, there is the notion of compulsive behaviour. For example a kleptomaniac could not be said to be acting freely, however, according to Hume’s theory, because the kleptomaniac is acting on his own desire to steal, he is free. Although, perhaps it could be argued also, according to Hume’s theory, that because the kleptomaniac has no option but to steal, that he is not free. Secondly, Locke describes a man who is unknowingly locked in a room, but freely chooses to remain there. Hume’s theory suggests however that the man is not free. So, Hume’s theory is not completely plausible, as it does not adequately explain the notion of compulsiveness or the possibility of acting freely under unfree circumstances.


A second compatibilist theory proposes the relevance of second-order desires. This theory, supported by Gerald Dworkin and Harry Frankfurt, suggests distinguishes first-order and second-order desires, and claims that we are free when our second-order desires are consistent with our first-order desires (Sober, 001). For example, a first-order desire is “I would like some chocolate” and a second-order desire would be “I want to desire the chocolate because it will encourage me to continue writing this essay”. Because these two desires are in agreement, I am free whilst I eat my Caramello Koala. However, one fault in this theory is the possibility of higher order desires. I could also have a third-order desire “I’m going to get fat so I really don’t want to eat this chocolate”. This clashes with my two other desires and so, according to this theory, I am actually not free in eating the chocolate. Also, this theory does not adequately explain some compulsive behaviour, such as the kleptomaniac who is so delusional that he cannot see the harm in his compulsive behaviour. Therefore, this compatibilist theory is not entirely plausible either.


The weather vane analogy is the third and the most plausible compatibilist theory. It suggests that a weather vane is free when it performs its function, correctly pointing out the direction of the wind, and is unfree when rusted and is not changed by the wind. It demonstrates that the difference between free and unfree behaviour is what causes it, not whether it is caused (Sober, 001). The analogy can be applied to the notion of free will in that when our mind is functioning properly, as to decide what is good for us, we are free. So, we have a belief-generating-device (BGD) � taking evidence such as other beliefs and experience to form beliefs � and a desire-generating-device (DGD) � representing what is good for us � that form our beliefs and desires on which we deliberate and form intentions upon which we act (Sober, 001). This theory explains that compulsive behaviour is not free as the DGD is malfunctioning. The man in Locke’s locked room is exercising free will because his mind is functioning. The weather vane analogy plausibly explains these stumbling blocks.


However, there is the question of coercion, whether or not it denies our free will. I believe there is a distinction between free will and freedom. A robber may deny our freedom to keep our possessions and our life, but we are not denied the ability to choose our behaviour in the unfortunate circumstance. Our mind is still functioning freely, despite physical constraints on our behaviour. Also, the notion of rational self-sacrifice, possibly poses a challenge for this compatibilist argument. It is suggested that as self-sacrifice does good for others, but not for the agent, that the DGD is malfunctioning, which conflicts with the idea that the agent is acting of free will (Sober, 001). However, this objection relies on the definition of what is good for the agent. I don’t believe the notion of good is as simple as physical well-being or self-interest. Good for those we care for can overlap with what we consider good for ourselves.


Although it probably cannot be said conclusively, it is definitely plausible that my decision to write this essay is not completely determined. That although there are causal factors � my parents’ expectations, my schooling, my genes, my environment and of course my love of philosophy � that influence and create my beliefs, and there are factors that create my desire to pass, it is my deliberation and hence intentions that ultimately result in me completing this essay. My mind was functioning, as I desired what is good for me, i.e. to pass philosophy. It is evident that the compatibilist theory is at the very least plausible, and possibly even satisfactorily explains the concept of free will.


Reference


Sober, E. Introduction to Metaphysics, Ch 4, Prentice Hall 001, pp. 7 ff


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John Keats

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John Keats


ENG. 151 50


17 October 001


“Beauty is truth, truth beauty, - that is all Ye know on earth and all ye need to know” (from ‘Ode on a Grecian Urn’) (Amazon 1). John Keats was a misunderstood English Romantic poet in the early Eighteenth century from 175-181. He is known mostly for his letters; which gave critics a better understanding of his poems such as his famous Ode poems. He was not respected until after his death. It is apparent now that he was great “Certainly it is because of his letters that we have a more exact and vivid view of John Keats than of any other Romantic poet” (Dictionary ). The letters written to the family and friends of John Keats have given us a glimpse into the life of this poetic genius.


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John Keats continued writing while struggling to get to the top, in spite of the many obstacles in his life and continued writing. He also had a fight against Tuberculosis beginning in1818, which would one day become the shortcoming of his life (Britannica ), along with many harsh reviews from well-known publishers and a love affair with Fanny that could never be. Early in his writing career Keats met Leigh Hunt an influential editor for the Examiner who published his sonnets “On First Looking into Chapman’s Homer” and “O Solitude”. This is when Hunt introduced Keats to other poets such as Percy Bysshe Shelley and William Wordsworth; they helped to support Keats in a time of need (Poetry 1). John Keats submitted a “four-thousand-line erotic/allegorical romance” the Endymion to “Two of the most influential critical magazines, Quarterly Review and Blackwood’s magazine, attacking the collection” (Dictionary ). “Blackwood’s declared Endymion nonsense, recommended that Keats give up poetry” (Dictionary ). Keats was more determined after this to succeed as a poet and did not stop there. “In spite of early harsh criticism, Keats’s reputation grew after his death” (Amazon ).


In July 180 Keats published Lamia, Isabella, The Eve of St. Agnes, and Other Poems. Among them are the unfinished “Hyperion which incorporated three of the finest Ode’s in the English language, “Ode on a Grecian Urn,” “Ode on Melancholy,” and “Ode to a Nightingale”” (Poetry ). This book received much greater praise then the previous one gaining “enthusiastic praise form Hunt, Shelley, Charles Lamb and others” (Poetry ). By this time in Keats’s life he was getting ill, his outlook on his progress along with the thought of impacting history was looking grim. Keats wrote two prefaces to the Endymion “I have written to please myself and in hopes to please others, and for love of fame; if I neither please myself. Nor others nor get fame, of what consequence is Phraseology?” and “There is not a fiercer hell than the failure in a great object” (Dictionary 6). It is obvious that this great poet is much harder on himself then any critic could ever be.


“His poetry was known to few and by many of those lightly regarded; unsuspected that the story of his career and unforgettable image of his character had been preserved in his letters” (Dictionary ). It was not until his letter was revealed and published that critics gained a better understanding of the genius that was incorporated into his poetry. He had no idea the outside world would read his letters, or the impact they would have on his writings. The letters were events, feelings, and emotions about his writing and daily life that gave a better knowledge of what was once misunderstood poems. Critics had an enhanced perception from the letters. People such as “Frances Jeffery, [an] influential editor of the Edinburgh Review, wrote a review praising both the new book and Endymion” (Poetry ). Keats wrote the poems to people this is one reason that the letters were so helpful in understanding; he incorporated a back round for the poems in the letters he wrote to people. Some of the most insightful letters were the one’s he wrote to Fanny, a women that he loved dearly but could never be with because of his jealousy towards her health and the “conflict between a lover’s yearning to possess and be possessed and the artist’s fierce need to be free and unattached” (Dictionary 8).


John Keats felt he was not respected and given the full credit he deserved during his life. It was not until after his death that his popularity and fame grew. He was finally given the credit he rightfully deserved. Through his letters we are able to have a better understanding into his life. Through this, we recognize the genius in his work. As with many great artists, we do not recognize their contribution until after their death. All he wanted was to have the full recognition that he strived so long and hard for. John Keats felt when he died his works would be forever forgotten. This opinion continued to haunt him throughout his life and all the way to his grave. The words, “A man whose name was writ with water” (Dictionary ) are eternally etched on his tombstone.





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Orgsanizational Development

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XYZ COMPANY has integrated all of the major factors that many of today’s consumers are looking for in an instructive setting cost, convenience, choice, customization, communication and control.


Why do people choose XYZ COMPANY? The “Six C’s” - listed above. Cost � XYZ COMPANY has priced itself according to what the local market will bear. Price is determined regionally and kept in an average range for the area. Convenience � people have access to a 4/7 library, on-line and/or on-ground classes, web site, and a variety of other services. They have access to a Company that is distributed across time and place. They have unlimited access to their classroom, team members and faculty at any given time from anywhere in the world. Choice - people can choose the online program that allows them the flexibility of earning their degree as long as they can access the internet for at least a few minutes on any given day. The can also choose to attend an on-ground program in the evening one night a week from 6pm to 10pm. In addition, Directed Study classes and a newly implemented program, FlexNet are available. FlexNet is a combination of online and on-campus courses. Customization � XYZ COMPANY can customize programs to fit the student or corporate client needs. People can mix and match on line and on ground courses. Corporations can request specific degree programs that can be taught at their own facility. Communication � instructors, counselors, team members and people all have the ability to cross communicate via the web. People are talking to each other in (online) discussions about that weeks work five out of seven days as a requirement. Most of them are in there seven out of seven days. They also have access to their instructor in a private in-box to submit assignments and ask any specific questions as they go through the week. They have access to their instructor 4 hours a day, seven days a week in an asynchronous fashion. Control � People have the control in deciding what when and where they will take the classes.


XYZ COMPANY decided what curriculum model they wanted for the Company and then eventually converted the curriculum to an on-line model. They decided what the optimal class size should be; and how much was going to be invested in terms of technical infrastructure, faculty training, and student service support. All of these were decided from an institutional perspective. The strategy that eventually emerged has been successful because it has been so well thought out. XYZ COMPANY has a firm commitment to their people to continue to transition to higher and higher levels of technology as they become available. They are also firmly committed to building the business through any and all means of information technology available.





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Business Ethics

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Business is business, it should not be mixed with personal stuff or feelings, you are running a business and a wrong decision based on your business ethics could affect a lot of people. It could backfire and the result could be worse.


It’s difficult to be completely business minded because you are worried that people would think worse of you. In addition, you could be friends with someone and attempt to cover up for his/her mistakes. This may not be good in the long run for everyone.


Ethics should always be present in decision-making and business practices


But it should not get in the way of making the right decision for the business


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Ethics should always be present in business because you are dealing with a lot of people, but on the other hand a lot of people could be affected by the decisions you make. The most important part is to apply ethics, but think about the consequences of your actions.


Always think what is best for both business and employees. A business would not be successful without the support of its employees; therefore, it is also important that the principles and policies are geared towards their happiness. Every decision should be based on the success of the company because in order for it to survive in a world of tough competitions.


Always think what is best for both business and employees. A business would not be successful without the support of its employees; therefore, it is also important that the principles and policies are geared towards their happiness. Every decision should be based on the success of the company because in order for it to survive in a world of tough competitions.


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Book Talk

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· You see… It all started on the night of Monday, January 1, 18. Michelle and Marty McInnerney arrived at the Olympic Memorial Hospital in Port Angeles, Washington with their unconscious, three-day old baby boy, Connor McInnerney.


· At 54 p.m., a well-known paediatrician, Dr. Eugene Turner, pronounced Connor dead.


· BUT THEN… At around 1015 p.m., an emergency room nurse, Laurie Boucher, witnessed Connor gasping for air even though he was pronounced dead twenty minutes ago.


· Dr. Turner returned with not much hope for the infant; he believed that Connor was already brain-dead, because gasping for air doesn’t really mean much. It doesn’t necessarily indicate life.


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· Shortly before midnight, the usual night emergency nurse, Vicki Hallberg-Gross, witnessed Dr. Turner suffocating the infant.


· Vicki informed her superiors and soon, police interrogations began.


· Turner was taken to court where he pleaded not guilty.


· He claimed that Connor was already brain-dead when the suffocation occurred.


· The judge and the jury were convinced that Connor was brain-dead in the first place and they decided to dismiss the charge of second-degree murder against Dr. Turner. And Dr. Turner got to keep his medical license.


· Six weeks later, on March , 18, a man named Jefferson Davis saw a late-model Subaru Legacy station wagon sprawled sideways across the roadside. Inside was Dr. Rowan’s wife, Deborah. Dr. Rowan was an ER physician who was friends with Dr. Turner.


· Jefferson Davis informed the police.


· The police headed to Dr. Rowan’s place to inform him of the gruesome discovery.


· At Dr. Rowan’s house, they found bloody crutches on the driveway and in the utility shed in the rear of the Rowan house, the police found blood-stained clothing, plastic bags, a bloody axe and a bat. It didn’t take a rocket scientist to realize what had happened to Deborah Rowan.


· Dr. Rowan became the main suspect in his wife’s murder and during the police interrogation, Dr. Rowan attempted to commit suicide in the presence of the police, but was unsuccessful.


· Dr. Rowan was booked in the Clallam County Jail, where he waited for his trial.


· Defence attorney David Allen represented Dr. Rowan.


· David Allen decided it was best for Dr. Rowan to plead not guilty by reason of insanity. Allen knew an insanity defence wasn’t going to be easy to prove.


· Dr. Rowan did have a past of chronic depression and there didn’t seem to be any actual motives. Dr. Rowan was financially stable and his wife was well-respected in the community. There were no serious domestic disputes in the past.


· The prosecuting attorney tried to prove that he was not insane at the time of the killing, claiming that Dr. Rowan was clearly aware of everything.


· Two days after the long trial, the jury finally reached a verdict…


o Did the defendant kill Deborah Rowan? � YES


o Was the defendant not guilty, because of insanity existing at the time of the killing? � YES


o Was the defendant a substantial danger to other persons unless kept under further control by the court? � YES


o Should the defendant be placed in restrictive detention in a state mental hospital? � YES


· There it was Bruce was crazy and a danger to others and he should be in mental institution.


· See, this is the kind of thing that gets me mad. Justice was NOT served!


· However, Dr. Rowan did loose his medical license.


· To show how intense the trial was, I would like to read a passage from a book a friend of mine wrote. Carlton Smith, the author, is a veteran reporter and a best-selling true crime writer.


· This is when Dr. Rowan took the stand to be questioned by his defence attorney, David Allen.


· (Read passage on pp. -4)


· As a publisher and an editor I feel as if this book really captured the tragic events that occurred in Port Angeles, Washington. My friend and author, Carlton Smith, did a great job. There was a lot of suspense and the information was accurate. To understand the murders and the doctors’ views, as well as the media’s views, I recommend this book to anyone who enjoys reading about true crime stories and controversial topics such as euthanasia and the justice system. I would give this book a out of 10.





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Four Day weekend

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I remained (1. imperturbable) throughout the summer of 001. There was nothing to do at my house besides spending time on the computer or (. proffer) advice to people who called. All of a sudden my family decided that we need a vacation. I had a (. paroxysm) of joy since we were going along with another family friend. My parents said we were going to leave on our (4. peregrination) to Can Cun in a couple of days on a cruise. When the day finally came the (5. refulgent) morning light shined into my room while I woke up. I had to (6. forgo) my breakfast because we were late. We got to the airport and made our trip to Florida to get to the boat. After two hours of flying, we reached safely, got through the hustle of boarding the boat, and finally go on the boat. My friends and I were all in an (7. ebullient) state looking at the huge, sparkling boat from inside. The (8. ambient) people were all around me trying to get to their rooms. We got to our rooms and I was off on my own to explore the ocean liner. While walking I saw a man making an ice sculptor. He had to (. burnish) the ice to make the piece look complete with no ridges or extra ice hanging off. Soon day turned to night and the (10. luminous) moon could be seen perfectly with its (11. emanates) rays glowing on deck. The next day was when we arrived at Can Cun. We could see the land becoming larger and larger from our windows. My friend was (1. laconic) because he was so happy to see the land after two days of the boat. We first went to the beach we felt comfortable from the people’s (1. acclamation) to us. I then decided that I wanted to try jet skiing. When I first got on it I was (14. chary) while standing because I was a (15. tyro) at the activity. After half an hour of jet skiing my thighs were (16.inure) to the hardship of the stress on my lower body. After a day at the beach we went back to the boat. I went to my room and fell onto the bed. I could not move from the jet skiing and my family looked at me in a (17. plaintive) way with pity. The next day I tended to (18. vacillate) my mind with many ideas because we would have to go home soon. Soon the trip finally ended and we all walked out in a (1. moribund) way from the many activities the ship had to offer. In the end I realized I was a more (0. gregarious) person since I tried new things, met new people, and had a great vacation.








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Art works portraying interiors have a deeper meaning than a literal representation of a room or space within a building

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Pablo Picasso’s interior Studio with Plaster Head is quite noticeably not just a literal representation of a room but Picasso’s own expression and interpretation of a room and the objects placed in that room. I think that art works of interiors do have a profound meaning that is concealed to the artist, but that the true meaning often eludes the public. Art critics and art viewers worldwide are forever trying to understand the artist’s thoughts and feelings behind a piece of art but as Picasso said “Everyone wants to understand art. Why don’t we try to understand the song of a bird? Why do we love the night, the flowers, everything around us, without trying to understand them? But in the case of a painting, people think they have to understand. If only they would realize above all that an artist works of necessity, that he himself is only an insignificant part of the world, and that no more importance should be attached to him than to plenty of other things which please us in the world, though we can’t explain them people who try to explain pictures are usually barking up the wrong tree.”


Pablo Ruiz Picasso was born October 5th 1881 in Málaga. Encouraged by father, who lived modestly as an artist and art teacher, Pablo showed an overwhelming desire to express himself by drawing and painting. His early dedication to art combined with his unusual talent led Pablo to explore and experiment and to seek new influences.


In the years before the Studio with Plaster Head Picasso worked with Georges Braque and the Spanish painter Juan Gris, experimenting with a new means of interpreting form onto a flat surface. They separated elements of an objects form and painted them, including more than could be seen from a single viewpoint. They limited their palettes to a few dull colours and treated the subject and background with certain uniformity. The viewer’s eye traveled over a series of surfaces that gave the manifestation of both solidity and transparency, cubism was created. During World War One Pablo designed scenery for Diaghilev’s Ballet Russes, and this led to an interest in classical subjects. Never to stay with one style Picasso painted representational works at the same time as his cubist works. As Picasso’s paintings became more abstract Picasso felt the need to introduce a reference of reality into his work. He used bright colours to give the impression of depth and the paintings took on a collage appearance. Various shapes, colours and textures were freely arranged on the canvas. A major achievement of this style was Three Musicians (11).


By the mid-twenties Picasso no longer had any control over the way in which society was acclaiming him as an artist. He felt he had to suffer a public that was slowly suppressing his individuality by blindly applauding each work he produced. His wife Olga enjoyed her role as the wife of a great painter so much that she was unable to give him any support during his crisis. Picasso’s strength saw that he did not surrender to this dilemma; instead he began a number of artistic experiments, set up a sculptor’s studio in Paris and tried to regain his independence by taking an interest in the unknown and unfamiliar.


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Over the summer of 15 the Picasso family was holidaying in Juan-les-Pines, here Pablo painted several works one of which was Studio with a Plaster Head. In this painting one can see that the focal point of the work is the plaster head of a bearded classical man. The head is balancing on a try square, beside this is a plaster foot, one can also see a green vine creeping between the foot and a plaster arm holding a scroll, an open book, an orange, a tablecloth and Picasso’s son Paulo’s toy theatre. The image is highly coloured, with bright blues, yellows and reds taking up much space. Picasso combines cubism and classicism; with the collage like tablecloth on the one hand and the classical man’s head on the other. The try square and the fine, solid angles give an atmosphere of building and architecture. The image along with the others that were painted that summer can be said to represent a late cubism, a diluted form from the point of view of restraint, logical severity and simplicity. That of curve, colour and opulent delight now augmented it.


In my opinion it is not what Picasso painted that suggests his inner thoughts and that deeper meaning everyone is searching for, but the way in which Picasso painted what he saw. The exceedingly coloured, loud work is different from other artists, and Picasso’s other previous styles. If we look at the inhibition on individuality Picasso was suffering in the years before this work, we can put two and two together. Maybe Picasso’s work was so intense, so out there and different because of these feelings. Picasso had the vitality and aptitude to bring him through his crisis to create works that were clearly recognizable as “Picasso’s”.





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